She studied fine arts at the Universidad de los Andes in Bogotá and print-making at the Rijksakademie van Beeldende Kunsten in Amsterdam. Beatriz González (born 1938) is a Colombian painter, sculptor, critic, curator and art historian. “Beatriz González: A Retrospective” will be on display at the Museum of Fine Arts until January 20. Although González is well regarded in Latin America as an artist and teacher, it’s a coup that Miami is the first city to host this show in the United States. After accompanying her husband who is an architect to a hardware store in the 1970s, she began her work on various pieces of store-bought furniture that would generally be found in middle-class households earlier in the century. Auction Records. Beatriz González might not be keen on the idea, but museum visitors considering her work for the first time could see her as a Latin American Andy Warhol, Jasper Johns or … [10] In this case, she intentionally takes all of the shadows and duller colors that made this work more European, and animated it more in hopes of making it more uniquely Latin American. While there, she was a student of Argentine art critic and historian Marta Traba and Spanish painter Joan Antonio Roda. González ended up enrolling in University of Los Andes (Colombia), graduating from their fine arts department in 1962. Find more prominent pieces of figurative at Wikiart.org – best visual art database. “Beatriz González: A Retrospective,” on view through Sept. 1, assembles more than 150 works from 1960 to the present and explores the prolific career of this outspoken artist. “Beatriz González: A Retrospective,” on view through Sept. 1, assembles more than 150 works from 1960 to the present and explores the prolific career of this outspoken artist. The painter, art historian, and critic Beatriz González was born in Bucaramanga, Colombia, in 1938. She is best known for her bright and colorful paintings depicting life in Colombia during the war-torn period known as La Violencia. Beatriz Gonzalez (Born 1936) Beatriz Gonzalez is active/lives in Columbia. It consisted of Leonardo da Vinci's Last Supper work that had been repainted onto metal sheets that were them mounted on a faux-wood dining table. ‘Vertical Displacement’ was created in 2016 by Beatriz González in Pop Art style. Beatriz González Reveals the Politics and Painting of Colombia The artist's first United States retrospective arrives at the MFAH with a pop of color. The couple were two young farmers who were deeply in love, but in an effort to preserve the purity of their love, the man (who was suspected to be mentally insane) convinced his girlfriend to commit suicide as a way to show their religious devotion in not wanting to sully the woman's purity. "Meet Beatriz Gonzalez, Colombia's Queen of Pop Art | Amuse", "Artist interview: Beatriz González | Tate", "ART REVIEW; A Wry Defiance Behind Garish Colors and Tabloid Dramas", https://en.wikipedia.org/w/index.php?title=Beatriz_Gonzalez&oldid=992989157, University of Los Andes (Colombia) alumni, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with CANTIC identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, The Suicides of Sisga I, II and III, La Última Mesa, Nací en Florencia, What an Honor to Be With You at This Historic Moment, Works 1965-1997, 1998, El Museo del Barrio, documenta 14, Athens, Greece and Kassel, Germany, 2017, This page was last edited on 8 December 2020, at 05:18. Digital and traditional art [4], Although González is often referred to as an artist of the pop art movement, she has never considered herself a pop artist. This work was initially refused at the 1965 Salon of Colombian Artists, disregarded and brushed off by the Jury as a "bad Botero". [2][7], When she painted three Colombian presidents (Julio César Turbay Ayala, Carlos Lleras Restrepo, and Belisario Betancur) wearing Native Amazonian headdresses next to a Native Amazonian, many interpreted it as a portrayal of their inefficiency as presidents. González intentionally chose this particular work by da Vinci because of its popularity in Colombian culture, this image was commonly placed above the main entrance door as a good-luck charm against thieves. «La política de Beatriz González». More than 100 pieces are on display in the first large-scale exhibition dedicated to González. Beatriz González. [5] This painting was the first of a number of paintings done by González in the 1960s in which she explored the intense violence in Colombia. Beatriz González is a contemporary Colombian painter known for her colorful depictions of celebrities and politicians on furniture and fabric. cat. Beatriz González: A Retrospective presents more than 130 works, culled from the artist’s career from the early 1960s to now. She grew up in Colombia in the 40s and 50s, during an era of … Articles Featuring Beatriz González. The long title of the work is in an additional effort to reveal its humorous and a potentially slightly erotic intent. The work of Beatriz González (Bucaramanga, 1938), widely regarded as one of the seminal artists from the Colombian art scene, occupies a unique place in the history of Latin American art — not only is she a pioneer of Pop Art, but also, almost without calculation, an incisive and coherent chronicler of recent Colombian history. The Artist. Beatriz González (born 1938) is a Colombian painter, sculptor, critic, curator and art historian. [3] In the late 1950s, she enrolled in architecture school, but she dropped out only a few years later. For me the type of art that I was doing could only circulate internationally as a curiosity. Feeling that she couldn't laugh after that event, she began to explore themes of death and the drug trade as well as exploring some of Colombia's most tragic events. After one of González's friends and mentors, Marta Traba pressed the Jury to reconsider their decision, the painting was not only accepted, but Gonzáles won a special prize for her work, that eventually helped launch her career. She is best known for her bright and colorful paintings depicting life in Colombia during the war-torn period known as La Violencia. [5] This work along with many of the others out of her furniture works had the intention of being a "representation of representations" not only through an effort to make universal art, but also to subvert the original function of the furniture itself. Although González is well regarded in Latin America as an artist and teacher, it’s a coup that Miami is the first city to host this show in the United States. Retrospective 1965–2017, Beatriz González's exhibition at KW Institute for Contemporary Art in Berlin (13 October 2018–6 January 2019), presents a selection of 120 works that bear witness to Colombia's political and social upheavals of the last 50 years. Exhibition organized by Tobias Ostrander and Mari Carmen Ramírez. Sep 16th, 2019. Beatriz González is a Colombian Postwar & Contemporary artist who was born in 1938. Sep 21st, 2017. Exh. The Artsy Vanguard 2019: 50 Artists to Know Right Now. Learn about the artist and find an in-depth biography, exhibitions, original artworks, the latest news, and sold auction prices. Based in Bogotá, González (born 1938) is not only an internationally celebrated artist but also one of the few living representatives of the “radical women” generation from Latin America. The theme of mother and child was one that commonly occurred in her artwork thus turning González herself into an image of maternity. Learn about the artist and find an in-depth biography, exhibitions, original artworks, the latest news, and sold auction prices. View Beatriz González’s artworks on artnet. She carefully coordinated her images with the furniture's function, such as painting the popes face on nightstands, conjuring up devotional images commonly found over beds or on nightstands in the average Colombian household. Resources. She is the youngest daughter of Valentín González Rangel and Clementina Aranda Mantilla. When asked if she had at any point considered herself a pop artist she responded with, "I’ve always considered myself more of a painter and within this remit I painted the joy of the underdeveloped. She is the youngest daughter of Valentín González Rangel and Clementina Aranda Mantilla. [11], Nací en Florencia (I was born in Florence). Curated by Mari Carmen Ramírez and Tobias Ostrander, Beatriz González: The Master consists of 100 works, the majority of which are paintings, but also sketches and illustrations. … She grew up in Colombia in the 40s and 50s, during an era of political unrest known as La Violencia (The Violence). Comprised of more than 100 artworks, Beatriz González: A Retrospective is the first large-scale U.S. exhibition dedicated to González … Medellín, Museo de Arte Moderno, Beatriz González, La comedia y la tragedia, Retrospectiva 1948-2010, 23 November 2011- 4 March 2012, p. 65 (illustrated in color). At 81, González is not only an internationally celebrated Colombian artist but also one of the few extant representatives of the so-called “radical women” generation from Latin America. She is best known for her bright and colorful paintings depicting life in Colombia during the war-torn period known as La Violencia. Beatriz Gonzalez is known for painting. Beatriz González (born 1938) is a Colombian painter, sculptor, critic, curator and art historian. [2], In 1965 González created a painting entitled The Suicides of Sisga, the painting was based on a picture of a young couple that had been published in a local newspaper after they jumped off the dam of the river Sisga in order to preserve the purity of their love. Beatriz GONZALEZ (1938) (Colombia) is an artist born in 1938 The oldest auction result ever registered on the website for an artwork by this artist is a furniture sold in 1989, at Sotheby's, and the most recent auction result is a painting sold in 2020. She grew up in Colombia in the 40s and 50s, during an era of … Available for sale from Alonso Garcés Galería, Beatriz González, Ay Jerusalem, jerusalem (1969), Esmalte sobre lámina de metal, 100 × 120 cm For me the type of art that I was doing could only circulate internationally as a curiosity. ‘Vertical Displacement’ was created in 2016 by Beatriz González in Pop Art style. Beatriz González: A Retrospective was the first large-scale U.S. retrospective of the work of Bogotá-based artist Beatriz González (b. During this time she produced a series of ink drawings on the same theme, that were tabloid photos of crimes of passion and political murders as well as advertisements for everything from bodybuilding to headache cures.[9]. This work was initially refused at the 1965 Salon of Colombian Artists, disregarded and brushed off by the Jury as a "bad Botero". Colombian artist Beatriz González also graciously opens our minds in the process, exposing the world to us in ways we may not have considered. Beatriz González: A Retrospective is the first large-scale U.S. exhibition dedicated to the work of Colombian artist Beatriz González. Beatriz González is a Colombian painter, sculptor, critic, curator and art historian. She often thought that the pop movement was not present in her preferred medium of painting and that it wouldn't be an appropriate label for the work she was doing. These works contain two different images taken from current events of the time, which have been printed and repeated to resemble a frieze. Find more prominent pieces of figurative at Wikiart.org – best visual art database. "[5], She has oftentimes been acknowledged for being a woman in a movement and country where a great deal of her peers were men, according to González, this has never been a problem for her and credits Marta Traba for encouraging the presence of woman in the Colombian art scene and states that she doesn't believe in the complex of the female artist who must be victimized. Beatriz González is a Colombian painter, sculptor, critic, curator and art historian. When her new exhibit, “Beatriz González: a Retrospective,” opens at the Peréz Art Museum Miami April 19, it will be the first large-scale U.S. retrospective of … She returned to Bucaramanga in 1958. “The idea of taking images from everyday reality runs through my whole career,” says González. “The idea of taking images from everyday reality runs through my whole career,” says González. In 1965 González created a painting entitled The Suicides of Sisga, the painting was based on a picture of a young couple that had been published in a local newspaper after they jumped off the dam of the river Sisga in order to preserve the purity of their love. Typically she would take her images from well known Italian Renaissance and history paintings, or pictures from the present day news media, transferring these images onto cheap nightstands, chairs, coffee tables and beds painted by an amateur painter. Growing up during this time largely influenced González's understanding of Colombia society, and eventually even her artistic style. Beatriz González. She has oftentimes been acknowledged for being a woman in a movement and country where a great deal of her peers were men, according to González, this has never been a problem for her and credits Marta Traba for encouraging the presence of woman in the Colombian art scene and states that she doesn't believe in the complex of the female artist who must be victimized. The work of Beatriz González (Bucaramanga, 1938), widely regarded as one of the seminal artists from the Colombian art scene, occupies a unique place in the history of Latin American art — not only is she a pioneer of Pop Art, but also, almost without calculation, an incisive and coherent chronicler of recent Colombian history. [2], Beatriz González was born in Bucaramanga, Colombia in 1938. She is best known for her bright and colorful paintings depicting life in Colombia during the war-torn period known as La Violencia. She is best known for her bright and colorful paintings depicting life in Colombia during the war-torn period known as La Violencia. 1938, Bucaramanga, Colombia). The full text of the article is here →, https://en.wikipedia.org/wiki/Beatriz_Gonzalez, Sketch for Elementary Landscapes: Fire in the Sierra, Señor presidente, qué honor estar con usted en este momento histórico. In the early 1970s she began to incorporate mass-produced items in her work. Auction Records (3) Tobias Ostrander and Mari Carmen Ramírez. She carefully coordinated her images with the furniture's function, such as painting the popes face on nightstands, conjuring up devotional images commonly found over beds or on nightstands in the average Colombian household. The painting was painted on a sheet of metal that was then mounted on the inside of a crib that González found in the streets of Bogóta that originally belonged to a hospital. Medellín, Museo de Arte Moderno, Beatriz González, La comedia y la tragedia, Retrospectiva 1948-2010, 23 November 2011- 4 March 2012, p. 65 (illustrated in color). This was after the M-19 guerrilla attack on the Palace of Justice in an attempt to try to president, they left 94 dead. [6], In 1985 González's work took a dramatic stylistic shift from its vibrant colors and shapes, to more dark imagery. González is often associated with the Pop Art movement. View Beatriz González’s artworks on artnet. González claimed that she was attracted to this picture due to its "bad quality" or more so its plain quality, the simplification of the facial features that were almost deformed by the discrepancy. Beatriz González was born in Bucaramanga, Colombia in 1938. The full title of this work is Nací en Florencia y tenía 26 años cuando fue pintado mi retrato (esta frase pronunciada en una voz dulce y baja), translated to I was born in Florence and was 26 years old when my portrait was painted (this phrase pronounced in a low, sweet voice). She used the location of the would be mirror to frame her work so when the viewers look at the work they see an image of beauty recreated in a cheap, reproduced style. Beatriz González Museo de Arte Miguel Urrutia After earlier presentations at the Museum of Fine Arts, Houston, and the Pérez Art Museum Miami, this retrospective—the most comprehensive showing to date of the work of Beatriz González, one of the most influential living Colombian artists— finally arrived at the Museo de Arte Miguel Urrutia in Bogotá. Mine was a provincial type of art without horizons, confronting the everyday: art is international." Medellín-Colombia (2015). Artwork page for ‘The Last Table’, Beatriz González, 1970 González stood out from her contemporaries as one of the first artists in Colombia to draw inspiration from the mass media, creating dialogue between popular narratives and formal painting. Overview . “Beatriz González: A Retrospective,” on view through Sept. 1, assembles more than 150 works from 1960 to the present and explores the prolific career of this outspoken artist. Spanish Illustrator. Comprised of more than 100 artworks, Beatriz González: A Retrospective is the first large-scale U.S. exhibition dedicated to González … She grew up in Colombia in the 40s and 50s, during an era of political unrest known as La Violencia (The Violence). Medellín, Museo de Arte Moderno, Beatriz González, La comedia y la tragedia, Retrospectiva 1948-2010, 23 November 2011- 4 March 2012, p. 65 (illustrated in color). Notably influenced by both the colorful character of pop art and the wide spectrum of Colombian local art, the painting and sculpture of Beatriz González explores political, social, and romantic subjects with equal insight. Colombian artist Beatriz González also graciously opens our minds in the process, exposing the world to us in ways we may not have considered. Mine was a provincial type of art without horizons, confronting the everyday: art is international. See all articles This painting was based on a photo that originally appeared in the press of a couple who commissioned a professional photographer to take their portrait before jumping off the dam of the Sisga on the outskirts of Bogotá. This work was one of González's first furniture pieces out of her series of furniture works. [3], González grew up in Colombia during the 1940s and 50s, while the country was plagued with violence and war due to the social and political upheaval known as La Violencia. [8], One of González's most well known and earliest works depicts a young couple standing holding hands with one other and a bouquet of flowers with a slight smile on their faces. Beatriz González was born in Bucaramanga, Colombia in 1938. In the late 1950s, she enrolled in architecture school, but she dropped out only a few years later. Medellín, Museo de Arte Moderno, Beatriz González, La comedia y la tragedia, Retrospectiva 1948-2010, 23 November 2011- 4 March 2012, p. 65 (illustrated in color). When asked if she had at any point considered herself a pop artist she responded with, "I’ve always considered myself more of a painter and within this remit I painted the joy of the underdeveloped. Available for sale from Nohra Haime Gallery, Beatriz González, Viva Mexico (1982), Metal, 12 2/5 in The picture was sent to their families, and when the news broke it was widely reprinted in black and white in the local newspapers. Typically she would take her images from well known Italian Renaissance and history paintings, or pictures from the present day news media, transferring these images onto cheap nightstands, chairs, coffee tables and beds painted by an amateur painter. Beatriz González is a Colombian painter, associated with the Pop Art movement. González grew up in Colombia during the 1940s and 50s, while the country was plagued with violence and war due to the social and political upheaval known as La Violencia. [3] González ended up enrolling in University of Los Andes (Colombia), graduating from their fine arts department in 1962. [2], After accompanying her husband who is an architect to a hardware store in the 1970s, she began her work on various pieces of store-bought furniture that would generally be found in middle-class households earlier in the century. Although González is often referred to as an artist of the pop art movement, she has never considered herself a pop artist. She often thought that the pop movement was not present in her preferred medium of painting and that it wouldn't be an appropriate label for the work she was doing. Buy / Sell. Artprice.com's price levels for this artist … González is often associated with the Pop Art movement. González is often associated with the Pop Art movement. She is best known for her bright and colorful paintings depicting life in Colombia during the war-torn period known as La Violencia. Pérez Art Museum Miami, April 19–September 2, 2019; Museum of Fine Arts Houston, October 27, 2019–January 20, 2020. Growing up during this time largely influenced González's understanding of Colombia society, and eventually even her artistic style. Museo de Arte Moderno. González is often associated with the Pop Art movement. 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